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Graphic

Explore 745 award-winning designs tagged Graphic on DesignLimo.

Before the Midnight Hour Furniture Illustrations

Martin Reznik Furniture Illustrations Graphic

Before the Midnight Hour

A series of black and white illustrations commissioned by Marc Krusin and featuring his most prominent furniture designs for Knoll and Desalto. Inspired by comics and noir cinema, the project breaks the conventions of furniture illustration by bringing narrative to the scenes, use of exaggerated perspective and a moody noir aesthetic. The lack of human presence and scattered objects add an element of mystery and suspense to the story, while the protagonist is revealed in a surprise ending. All images were drawn digitally in Adobe Photoshop using Wacom Cintiq tablet.

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Zuojiang Huashan Day Brand Identity

Xuguang Zhu Brand Identity Graphic

Zuojiang Huashan Day

Zuojiang Huashan Day is a brand identity created for a cultural event that presents Huashan rock art, a World Heritage site in Guangxi, China. The identity combines motifs from the 2000 year old carvings with contemporary graphic design. Frog-shaped figures and bronze drum patterns form a coherent visual system, and the pinyin for Huashan is styled to recall cliff carving textures. Printed items include posters, paper bags, business cards, a rock art directory and silicone wristbands. The aim is to make the heritage site legible to a global audience.

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Yuplet Branding Corporate Identity

Jake Wilkins Corporate Identity Graphic

Yuplet Branding

Yuplet Branding is a corporate identity created for a marketplace of handmade and sustainable products. The system is centred on a crescent motif, applied consistently across the custom wordmark, iconography, illustrations and layouts. Vivid green marks the buyer experience, while rich purple guides sellers, giving each user group a clear visual signal. Rounded forms, bold contrast and mobile-first cues, drawn from research with younger consumers, extend the identity across digital and printed touchpoints. Digital assets were prepared in vector format.

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Piggy Express Brand Character Identity

Qingyu Du Brand Character Identity Graphic

Piggy Express

Piggy Express is a brand character design created for a ride hailing service. The character develops the pig icon of the brand logo into a friendly travel companion. A high saturation color scheme increases visual visibility by 42 percent, and an independent silhouette keeps the character recognizable across all media. Animations guide users through tasks such as coupon redemption and route tracking. The character was refined through thirty rounds of shape iteration and tested with more than one hundred users in Chinese cities.

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The Wind Knows We Meet Illustration

Duan Ji Illustration Graphic

The Wind Knows We Meet

The Wind Knows We Meet is an illustration series about encounters and companionship in contemporary urban life. Wind is used as a metaphor for meaningful encounters. The series applies dramatic perspective, reddish brown warm tones, and warm light and shadow to create an open and inclusive atmosphere. Wide city landscapes and lively groups of characters are drawn with digital painting software. The illustration series responds to social distance in the digital era and invites viewers to build emotional connections in real life.

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94Hilook CIS Design

Eason Liu and Elvis Ku CIS Design Graphic

94Hilook

94HiLook is a corporate identity system created for a hybrid store that combines a curated supermarket, a yakiniku restaurant and a coffee bar. The logo merges bull horns, a fish tail and the numeral 94 to represent the selection of products from land and sea. The red and black palette is inspired by Japanese lacquerware, with gold, blue and light gray as supporting colors. The design refers to the artisan spirit of Tsukiji Market in Tokyo. Modular layout rules apply the identity to signage, packaging, the storefront facade and social media.

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Lao Huotang Brand Identity

BI-CHENG ZHONG Brand Identity Graphic

Lao Huotang

Lao Huo Tang is a brand identity for a hot pot restaurant in Taiwan. The logo shows a cast iron pot held by a single hand, with a rising steam line that suggests slow simmering. The Chinese characters are drawn with flame shaped brushstrokes and paired with modern typography. The palette layers boiling red, orange red, brick red and warm beige, guiding the eye from stove to table. White is used for the logo and lettering to improve clarity. The identity is applied to signage, menus, business cards and printed materials.

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Dou Gong Typeface

Xusong Wang Typeface Graphic

Dou Gong

Dou Gong Typeface reinterprets traditional Chinese timber construction as a typographic system. Inspired by mortise and tenon joinery, characters are formed through interlocking strokes that act as modular structural elements. The design expands into three dimensional and spatial applications, bridging architecture and typography. It introduces a method driven approach that transforms structural logic into a flexible and contemporary visual language.

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Elite Crest Luxury Watches

Dheeraj Bangur Luxury Watches Graphic

Elite Crest

Elite Crest is based on a monogram constructed through structured geometry and controlled proportions. The symbol integrates a serif inspired letterform with a circular base, forming a relationship between linear and curved elements. A central four point detail acts as a focal point and aids recognition at smaller sizes. Negative space maintains clarity, while simplified contours support consistent reproduction. The serif typography is arranged with measured spacing to preserve hierarchy and visual alignment between symbol and logotype.

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Adagio Brand Identity

Seraphina Sol Brand Identity Graphic

Adagio

Adagio is a luxury bean to bar chocolate brand identity built around sustainable cultivation and ingredient origin. Hand drawn botanical illustrations and numeric timelines show how cacao, mint, and citrus develop over time, turning the visual system into a guide to farming practices and seasonal cycles. Gold foil details and refined typography convey craftsmanship and quality, while the modular three box format creates a coherent identity that connects flavor, brand experience, and the land behind each harvest.

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Container Music Albums

Lam Kam Kun Music Albums Graphic

Container

This is an electronic music album with the theme of human and philosophy, mind and body. As the theme of this design, the visual combines classical aesthetics, philosophy and modern electronic music. The various natural elements are combined into a chaotic image, the classical style is boldly used, and then the realistic images are matched to create the final scheme.

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Mei Tao Wan Brand Image

Hui Zeng Brand Image Graphic

Mei Tao Wan

Mei Tao Wan is a visual identity and wayfinding system for a cultural park on a historic ceramic site in Foshan, China. The design abstracts the structural lines of the Nanfeng Ancient Kiln district into a geometric skeleton. This skeleton forms a custom typeface of 26 letters and the numbers 0 to 9, together with geometric icons. The signage is made of high transparency acrylic and stainless steel with a black copper finish. Integrated LED lighting at the base keeps the text legible at night. The system links the history of the site with its new cultural function.

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