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Explore 745 award-winning designs tagged Graphic on DesignLimo.
The Bright Side Goods design merges sustainability with modern elegance, appealing to eco-conscious consumers. It balances environmental values with contemporary aesthetics, encapsulated in a logo that combines a heart and the letter B, intertwined with sofa and lamp motifs, symbolizing comfort and light. This succinct design captures the essence of eco-friendly sophistication, resonating with audiences who value sustainability and style.
This campaign proposal advocates the importance of actions over empty promises, aims to make people notice the changes and empowerment brought by active participation. It is a self-initiated project that serves as the designer's personal reminder of the importance of taking action, as well as a response to the social movement at the time.
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Anti Crime is a concept poster for a television series adapted from real events. The poster shows white pigeons and black crows. The white pigeons stand for the power of justice, while the black crows suggest hidden criminal forces. The image is built as a fable, so a static poster can carry an extended meaning. The poster measures 74 by 105 centimetres. Production combined hand drawing, three-dimensional modelling and image synthesis, because suitable image materials were not available at the start of the project.
Queensland Children's Hospital needed to enhance their Entertainment Precinct’s branded identity; facilitate a joyful experience within that distracts families from illness; and improve its wayfinding for locating services. The designer addressed this through uniquely incorporating playground games into wayfinding. The visual design complements integrates architecture and environment. The co-design and interdisciplinary approach with stakeholders, key to the project success, is also unique.
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Sanat is a visual identity designed for an interior design and decoration company. The design is based on minimalism and abstraction. Simple lines form the letter S in a modern way. The golden ratio guides the proportions of these lines. A single hue is used in several tones throughout the identity. The reduced form is intended to convey the message of the company in a clear and direct way. The identity reflects the vision and the design approach of the company. The project was completed in about two weeks in February 2020.
R Gate Emblem is a corporate identity design created for an education technology company. The emblem is based on a keyhole motif. A white negative shape of the letter R sits inside a deep blue square and forms a gate. The gate is a visual metaphor for a doorway that opens the world of education and shares new learning experiences. Deep ocean blue is the primary color. The letter R also serves as the base measuring unit for a matching typeface in two weights. The identity system is applied to online and offline materials.
Using Escher's optical illusion principle, a cuboid is drawn along the Y axis of the structural line, and the same cuboid is duplicated on the X and Z axes, so that the endpoints of the three cuboids are completely overlapped, and a geometric Y letter can be formed on a projection plane. Through different combinations, different optical illusions are generated, and more spatial imagination is derived, conveying the positioning of Y Studio's research in different spaces.
The brand that blends fashion and sustainability, integrating recycled oyster shells with professional techniques and style into everyday life. The logo, presented in uppercase, symbolized a spirit of continuous innovation and the double letter o represents circular sustainability, signified perpetual renewal. The overall design exudes elegance, representing a pursuit of fashion and quality. The standard font integrates elements of waves and upward motion, shows her respect for nature and ongoing progress. The brand is vibrant, innovative and a leader in both fashion and environmental trends.
Wayang Golek is a graphic poster series based on the traditional Indonesian puppet theatre of the same name. The series presents the puppets through bold colours, intricate patterns and strong typography drawn from Indonesian art. The illustrations were created as vector graphics in Adobe Illustrator, using colour blocking for vibrant hues and detailed pattern work for the motifs. The digital format allows the artwork to be scaled and shared across screens without loss of quality. The aim is to renew interest in Wayang Golek among younger audiences.
Futuristic City envisions a future city where futuristic architecture incorporates elements of art deco, art nouveau, and historical styles, creating a fusion of classic aesthetics and innovation. This project also explores the fusion of architectural styles and the human-centric approach in futuristic city design. By adding classic aesthetic elements and a humane touch, this series aim to create a captivating visual experience. It challenges the conventional depiction of white and high-tech sci-fi cities and showcases the rich history of architectural design.
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Save Calendar is a series of illustrations created for a calendar on the theme of saving food. The illustrations show a farm field through the four seasons of spring, summer, autumn and winter. Colors change with each season, so the four periods are easy to tell apart. A symmetrical composition in a Chinese style gives the images a modern look. Month and season information is placed at the top of each sheet. The drawings were made with computer software and printed at 800 by 800 millimeters. The series shows the hard work of farmers and reminds people to value food.
This large window decal illustrates where reality and imagination merge to create an impression of an individual's life after a medical intervention. The illustration adheres to the glass on the inside of this impressive building, measuring over 10,000mm in height. This artwork was created with accessibility in mind. The artwork is installed in a window space because window spaces are accessible to view from outside the building. Therefore, members of the public who view the image can stay in their car to view the image should their physical limitations require them to do so.